Professional Photography
By Wayne Cosshall We all get bored sometimes: bored with ourselves, bored with others, and bored with what we're doing. Boredom with our photography can be a great kick to a new start. The other day I was bored. I was feeling somewhat agitated. I
By Jon Canfield If you’re anything like me, you are probably spending more time on the road and doing more of your initial image processing on a laptop in an effort to stay on top of the hundreds of images a typical shooting session generates. I used
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By Jon Canfield . I recently had the opportunity to give a talk on photography to a group of high school kids. Walking into the room it was pretty obvious that a good number of them were there because they had to be, not because it was something interesting
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By Wayne Cosshall A website is a key part of any business and most hobbies these days, and especially so in photography. But getting it right is key. Even though the Internet has become an obvious and essential part of what photographers do, there are
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By Phil Borges I got into my present line of work by following two of my passions-- traveling to remote locations and photographing people. This combination of attractions has led me to photograph many indigenous groups around the world. I love everything
By Jon Canfield As a writer focusing on printing and color management topics, I’m lucky to be surrounded by the latest and greatest tools. But, there is a downside. It seems that I’m constantly learning how to take advantage of this new feature, or that
By Wayne Cosshall It is easy to get taken away by our latest images and forget to revisit our library of previous work. All of life contains cycles and change. We read a new photography book, attend an exhibition, or go to a workshop and suddenly we are
By David Saffir Deep down, I’m in love with the look and feel of black-and-white prints. When I was 11 years old or so, I dove into photography in a big way. And because it was less expensive, black-and-white was my medium of choice. The wonder of watching
By Jon Canfield As photographers, we’re always concerned about how our images are reproduced, either on screen or in print. Sure, we learn about color management and how important it is to calibrate our displays and to use the correct printer profiles
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By Wayne Cosshall While many of us get into photography shooting realism, there can be far more to photography than attempting to capture realism. The entry point for most of us is realism. We attempt to capture what we see around us in as realistic a
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By Marc Aguilera Understanding color management in web browsers is important if you want to directly sell more of your photos and artwork online. You need to know what is and isn't currently possible when it comes to ensuring that your images will
By Wayne Cosshall In part 1 of this article, we looked at how photographers could free themselves to be more creative by becoming better organized. In that post, we talked about organizing equipment, shoot planning, and contact lists. Let’s continue getting
By Wayne Cosshall Photography is a business for many of us and a hobby for many more. Whether business or hobby, photography can become one of those all-consuming avocations that give us a reason to get up in the morning. Yet, because of the seemingly
By David Saffir In earlier posts, I’ve commented about the progress we’ve enjoyed with regard to new tools for photography. Here, I’ll back up those statements by briefly describing an relatively easy system that I’ve developed to make highly detailed
By Jon Canfield Last month I wrote about creating HDR (High Dynamic Range) photographs . This is a process in which you merge several different exposures together to get an expanded amount of detail. There’s been a lot of interest on the web lately about
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